After Giotto, me as Enrico Scrovegni.
MARTES, EL DIECISIETE DE NOVIEMBRE, DOS MIL NUEVE
Here's the set of ET's off the Rayner Bros site. You can click on the link and check them out individually.
Here's the set of ET's off the Rayner Bros site. You can click on the link and check them out individually.
LUNES, EL DIECISEIS DE NOVIEMBRE, DOS MIL NUEVE
CLAY WINS!
I'm finding I'm making more and more sculptures out of clay recently, which is helping my painting by forming the 3-d object which helps understand the form in full, which in turn helps develop working space when I paint the object in a painting. All Gris(t) to the Mill(ais).
CLAY WINS!
I'm finding I'm making more and more sculptures out of clay recently, which is helping my painting by forming the 3-d object which helps understand the form in full, which in turn helps develop working space when I paint the object in a painting. All Gris(t) to the Mill(ais).
EL CRUZ DE DOMINGO, EL QUINCE DE NOVIEMBRE, DOS MIL NUEVE
I haven't posted a crucifix for a while (been in Auckland, have other things come up to post about) so here's a return to a bit more consistence on Sundays.
This is hand-coloured silver gelatin photographic print I swapped with a student a year and a bit ago. I think her name was Jascinda, taking fashion design , but she took a photography workshop to get some extra credits. I thought it a beautiful example of traditional hand-colouring. She could have easily got a job as a White's Aviation tinting artist. I swapped this for a small HMV Dog painting that she selected.
I've started becoming more interested in 2-d images of crucifixes, especially photographs, as they often have more information around the outside of the cross, the context, which adds to the where, when and why; the intentions of the photographer and the subjects surroundings.
I haven't posted a crucifix for a while (been in Auckland, have other things come up to post about) so here's a return to a bit more consistence on Sundays.
This is hand-coloured silver gelatin photographic print I swapped with a student a year and a bit ago. I think her name was Jascinda, taking fashion design , but she took a photography workshop to get some extra credits. I thought it a beautiful example of traditional hand-colouring. She could have easily got a job as a White's Aviation tinting artist. I swapped this for a small HMV Dog painting that she selected.
I've started becoming more interested in 2-d images of crucifixes, especially photographs, as they often have more information around the outside of the cross, the context, which adds to the where, when and why; the intentions of the photographer and the subjects surroundings.
MIERCOLES, EL ONCE DE NOVIEMBRE, DOS MIL NUEVE
An invitation to a new exhibition at the Rayner Bros Gallery in Whanganui. Thirty-eight E.T.'s, decorated by thirty-eight artists from around New Zealand...should be interresterling. I'll be posting an photo of my version in the next couple of days. I've tentatively called it 'Spielbergian Pergatory'.
Come along if you can, the exhibition opening is this Saturday at 6pm at 52 Guyton Street, Whanganui.
An invitation to a new exhibition at the Rayner Bros Gallery in Whanganui. Thirty-eight E.T.'s, decorated by thirty-eight artists from around New Zealand...should be interresterling. I'll be posting an photo of my version in the next couple of days. I've tentatively called it 'Spielbergian Pergatory'.
Come along if you can, the exhibition opening is this Saturday at 6pm at 52 Guyton Street, Whanganui.
MARTES, EL DIEZ DE NOVIEMBRE, DOS MIL NUEVE
After a week of openings at the Art School here in Whanganui, I drove over to Hawkes Bay to Judith Anderson's country gallery in Hawkes Bay for the opening of Seen This Century, an exhibition of artists from Warwick Brown's recent book.
Here's a snap of Warwick Brown delivering the opening speech. Ben Pearce's Great Grandfather's Clock is to the right.
After a week of openings at the Art School here in Whanganui, I drove over to Hawkes Bay to Judith Anderson's country gallery in Hawkes Bay for the opening of Seen This Century, an exhibition of artists from Warwick Brown's recent book.
Here's a snap of Warwick Brown delivering the opening speech. Ben Pearce's Great Grandfather's Clock is to the right.
MIERCOLES, EL CUATRO DE NOVIEMBRE, DOS MIL NUEVE
Here's the reason I was looking for that specific hood image on the de Cosimo altarpiece (right) - I've put up this image on the left once before, a detail from a large della Robbia altarpiece
Here's the reason I was looking for that specific hood image on the de Cosimo altarpiece (right) - I've put up this image on the left once before, a detail from a large della Robbia altarpiece
DOMINGO, EL UNO DE NOVIEMBRE, DOS MIL NUEVE
With Jo's show finished and packed down, two weeks in Auckland and a hole in our wallets, time to head back to Whanganui.
With Jo's show finished and packed down, two weeks in Auckland and a hole in our wallets, time to head back to Whanganui.
SABATO, EL TRIENTE Y UNO DE OCTUBRE, DOS MIL NUEVE
(above) Fanny Kinder's (John's wife) sampler at the Kinder House between Newmarket and Parnell Rise.
(below) a detail from a new Piero de Cosimo book at the Auckland Public Library - a reproduction of a painting from the Yale Collection I've been looking a while for.
(above) Fanny Kinder's (John's wife) sampler at the Kinder House between Newmarket and Parnell Rise.
(below) a detail from a new Piero de Cosimo book at the Auckland Public Library - a reproduction of a painting from the Yale Collection I've been looking a while for.
MIERCOLES, EL VIENTIOCHO DE OCTUBRE, DOS MIL NUEVE
David photographing in the exhibition, I Go Where The Party Takes Me, 305 Queen Street Auckland. 11am-5pm daily, until the 31st of October. He'll be back in Hong Kong by now.
David photographing in the exhibition, I Go Where The Party Takes Me, 305 Queen Street Auckland. 11am-5pm daily, until the 31st of October. He'll be back in Hong Kong by now.
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