LUNES, EL QUINCE DE MARZO, VEINTE-DIEZ
I'm just about ready to start painting a larger work on metal based on a history of painting (my take, of course). It's a composition of some images I've used before. Left to right: a caveman from a 2008 painting, Art Openings; another 2008 painting, Travel Fund (which I've been discussing all last week) and a detail from a 2009 retablo of Jackson Pollock painting, based on a Rudolph Burckhardt photograph.


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