LUNES, EL DOCE DE SEPTIEMBRE, VEINTE-ONCE
uncanny: de Chirico on the left - 'Metaphysical Interior', 1916 and Guston's 'Rain', 1975. The de Chirico is a hard image to track down, I've only ever seen black and white repros of it in two books, one of them being James Thrall-Soby's 'The Early Chirico' which, according to Guston's daughter, Musa Mayer in her biography 'Night Studio' was "...a book always at hand on my father's shelf...".

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